Woolnough uses a special embroidery technique that involves a domestic sewing machine and a base cloth that dissolves in water after the piece is complete leaving just the skeleton. In a way, her process also mimics the natural process of leaves dying and drying up which, in turn, become the subject of her work.
"The telephone conversation is, by its very nature, reactive not reflective. Immediacy is its prime virtue. The immediacy delivers quick company, instant stimulation; the stimulation is cathartic; catharsis pushes back anxiety; into open space flows the kind of thought generated by electric…
'Bee and Stag' Tetradrachm from Ephesos, Ionia, c. 390-325 BC, by the magistrate Phanagores
From almost the very beginning of the history of coinage the Greeks made coins depicting animals symbolic of their city. The the bee was one of the first symbolic animals ever used. The obverse of this coin shows a lovely bee with straight wings and the inscription for Ephesus, E-Φ, The reverse shows the forepart of a stag to the right, its head turned back with a palm tree and the inscription of the magistrate who issued the coin, ΦΑΝΑΓΟΡΗΣ.
Ephesos (Ephesus) used the bee on its coins since it was a producer of honey, so the bee advertised their most famous product. The bee was also mythologically connected to Ephesus because, according to Philostratos, the colonizing Athenians were led to Ephesus and Ionia by the Muses who took the form of bees.
The city was also the location of the famous Temple of Artemis. Her priestesses were called ‘melissai” or “honey bees” of the goddess. The stag, like the one used on this coin is also an attribute of Artemis, the goddess of the hunt. This animal was regarded as sacred to her and stag figures were said to have flanked the cult statue of Artemis in her temple at Ephesus. The palm tree on the obverse alludes to Artemis’ birthplace, the island of Delos, where the goddess Leto gave birth to Artemis and her twin brother Apollo underneath a palm tree. This coin represents its city of origin well.
Ephesus was an ancient Greek city on the coast of Ionia, three kilometers southwest of present-day Selçuk in Izmir Province, Turkey. It was built in the 10th century BC on the site of the former Arzawan capital by Attic and Ionian Greek colonists.
Designer Eleanor Lutz used high-speed video of five different flying species to create this graphic illustrating the curves swept out in their wingbeats. The curves are constructed from 15 points per wingbeat and are intended more as art than science, but they’re a fantastic visualization of several important concepts in flapping flight. For example, note the directionality of the curves as a whole. If you imagine a vector perpendicular to the wing curves, you’ll notice that the bat, goose, and dragonfly would all have vectors pointing forward and slightly upward. In contrast, the moth and hummingbird would have vectors pointing almost entirely upward. This is because the moth and hummingbird are hovering, so their wing strokes are oriented so that the force produced balances their weight. The bat, goose, and dragonfly are all engaged in forward flight, so the aerodynamic force they generate is directed to counter their weight and to provide thrust. (Image credit: E. Lutz; via io9)